The Meeting Modernity series of found photographs is the focus of Néojaponisme’s first traveling exhibition. Recently unearthed outside of the city of Sano in Tochigi-ken, this series of pictures documents Japan as it engaged with modernization and commercial photography in the Meiji and Taishō Periods. The series is comprised of portrait photography in particular.
“Do You Remember?” is a new visual essay — the fourth in a series — by Ian Lynam for Néojaponisme.
The latest in a series of visual excerpts from the out-of-print book 和英文字レタリング (Japanese and English Lettering) by Tsunetoshi Hurusawa (古沢恒敏), a collection of assorted lettering styles culled from history.
Néojaponisme responds to an interview with an ex-Visual Kei record executive on Tokyo Damage Report.
Online gallery of
Japanese Contemporary Art
www.azito-art.com
Isozaki Ken’ichirô 磯崎憲一郎. Tsui no sumika 『終の住処』. 2009. Winner of the 141st Akutagawa Prize for early 2009.
The latest in a series of visual excerpts from the out-of-print book 和英文字レタリング (Japanese and English Lettering) by Tsunetoshi Hurusawa (古沢恒敏), a collection of assorted lettering styles culled from history.
Representatives of the necktie industry made an official appeal to Environment Minister Sakihito Ozawa to end Cool Biz — the campaign to cut greenhouse emissions by encouraging white-collar workers to work sans jacket and tie in the summer months to reduce dependence on air conditioning. The necktie lobby says it’s unfair to treat neckties as if they were the cause of global warming. They claim that summer sales are down 34% since Cool Biz started. They claim that their “necklace-tie” innovation failed to catch on. They also pointed out that PM Hatoyama campaigned with his necktie on, the association chairman emphasized that neckties bestow oan air of integrity (of course, Koizumi famously kept his off during the 2005 general election and won a similar landslide victory).
